San Pascual works with themes such as the preoccupation with the intuitive pinning down of experiences in full color and in full circle, so to speak. San Pascual adds another motif: recognizeable and overlapping images of faces. The ensuing cross between abstraction and representational painting- the creation of patterns from the images of people's faces each other as if in a carnivalesque crowd. The intricacies  of pattern, when seen as composites, converge and convey a single stretch of form -a web  of sorts- that relays a compositional and conceptual unity within the work.